• 201-736-2225
• kulkarnimaya02@gmail.com

Maya K U L K A R N I

MayaK U L K A R N I

Maya K U L K A R N I

A Dancer

Choreographer

and Commentator

Maya was hailed by Anna kisselgoff as a "dancer's dancer" and by the Marg Publications in 1979 as a "pre-eminent dancer of her times". Maya Kulkarni's command in abhinaya, nritta and rhythm is what makes her creations uniques, challenging the boundaries of Indian Classical Dance.

A Dancer, Choreographer and Commentator, Maya was hailed by Anna Kisselgoff as a “dancer's dancer” and by the Marg Publications in 1979 as a “pre-eminent dancer of her times”. Maya Kulkarni's command in abhinaya, nritta and rhythm is what makes her creations unique, challenging the boundaries of Indian Classical Dance.

About Shilpanatana

Shilpanatana originates in the classical modes and dance techniques (Natya Shastra- the science of dramaturgy dated between 200 BCE and 200 CE), but uses contemporary aesthetics, and Shilpanatana narratives are not forced into conventionally defines movements or expressive (Abhinaya) vocabulary.

Shilpanatana originates in the classical modes and dance techniques (Natya Shastra- the science of dramaturgy dated between 200 BCE and 200 CE), but uses contemporary aesthetics, and Shilpanatana narratives are not forced into conventionally defines movements or expressive (Abhinaya) vocabulary.

Shilpanatana originates in the classical modes and dance techniques (Natya Shastra- the science of dramaturgy dated between 200 BCE and 200 CE), but uses contemporary aesthetics, and Shilpanatana narratives are not forced into conventionally defines movements or expressive (Abhinaya) vocabulary.

Shilpanatana originates in the classical modes and dance techniques (Natya Shastra- the science of dramaturgy dated between 200 BCE and 200 CE), but uses contemporary aesthetics, and Shilpanatana narratives are not forced into conventionally defines movements or expressive (Abhinaya) vocabulary.

Shilpanatana originates in the classical modes and dance techniques (Natya Shastra- the science of dramaturgy dated between 200 BCE and 200 CE), but uses contemporary aesthetics, and Shilpanatana narratives are not forced into conventionally defines movements or expressive (Abhinaya) vocabulary.

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